![]() ![]() Hi Alister, I have a question for you regarding your LUT’s as used Premiere Pro CC 2015. Good grading start point.įilmic3 = Similar to Filmic2 but a little more contrast at the expense of a little less highlight roll off. Will be slightly low contrast but deals much better with over exposure or bright highlights than vanilla 709.įilm-Like1 = An extended range gamma with highlight roll off (+400% range), slightly de-saturated, slightly more film like color (small red/yellow removed).įilmic2 = Extended range low contrast gamma with very good over exposure handling. 1STOP would be used when the SLog2 was exposed 1STOP over and in this case the LUT then shifts the exposure back down 1 stop to compensate.ħ09 = Vanilla Rec-709, very contrasty, but limited highlight response and hard clip of over exposure.ħ09(800) = Rec-709 gamma with 800% (high) dynamic range. The exposure offset refers to the number of stops the footage is over exposed by relative to the normal SLog2 exposure level of Middle Grey at 32% and 90% white at 59%. But in the mean time here are the LUT’s if anyone want’s to play (and I would like feedback on what you think of them).ħ09(800) = Output gamma or style. I am in the process of creating the complete workflow and SLog-2 guide for the A7s which I should be publishing later next week which will have much more information on how to use these LUT’s. One is Rec-709 based LUT’s and the other Filmic LUT’s to act as starting points for further grading. ![]() So I created a set of LUT’s that includes compensation for shooting at the nominal correct exposure as well as either 1 or 2 stops over exposed. In addition as the camera is only 8 bit I have found that I am actually getting the best results from the Slog-2 if I over expose it just a little bit, depending of course on the scene. I realised almost straight away that a set of LUT’s for this camera would really help speed up my grading and testing. Select the LUT of your choice, click Save.I’ve been doing a lot of work on shooting SLog-2 with the A7s.The 17 Free LUTs are now available to select under the 3D Input Lookup Table dropdown menu.Close the folders, and select Update Lists in DaVinci Resolve.CUBE files into the DaVinci Resolve LUT Folder. Go to the Color Management tab and click Open LUT Folder.Click the Project Settings cog wheel in the bottom right corner.Using 17 Free LUTs in DaVinci Resolve 12.5 Go the the 17 Free LUTs folder and select the LUT of your choice.In the Inspector, navigate to the mLUT interface, and click Load Custom LUT.In the Final Cut Pro X timeline, drag the mLUT effect to your clip. ![]() Download and install the mLUT plugin from Motion VFX.For a great free plugin, consider mLUT from Motion VFX. To use LUTs in Final Cut Pro X, you will first need to download a LUT plugin. Go to the PB – 17 Free LUTs folder and select the LUT of your choice.Under Basic Correction, select the Input LUT dropdown menu, and click on Browse….In the Lumetri Color panel, open the Basic Correction tab.The following steps are for Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. Please consult your manual for other programs. Unzip the PB-Wanderlust Free Luts.zip file in your download folder. By downloading, you agree not to resell or redistribute these free assets. These LUTs are free to use in any personal or commercial projects. To download the Wanderlust free LUTs, click the button below. This tutorial will cover these three programs please consult your manual for other programs.ĭownload Wanderlust: 17 Free LUTs for LOG Footage CUBE files are compatible with a variety of NLEs and color grading programs, including Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. Get these 17 free LUTs for LOG footage, perfect to accentuate your footage from abroad - or even from near home. Inspired by the search for creativity, these LUTs quickly add vibrance to your videos. Download 17 FREE look-up-tables for color grading LOG footage. ![]()
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